Chapter 6
The Song That Remembers
The Room She Never Left
The next morning, Raihan woke with the diary open beside his hand and the taste of fear in his mouth.
The apartment was bright in the thin, unsympathetic way old rooms became bright after rain. Light entered through the bedroom window and showed him everything without mercy: the guitar leaning against the wall, the lyric page on the floor, the slight indentation his palm had left in the diary's damp-swollen cover. The wall beside him was only painted plaster again. Cold. Ordinary. Innocent-looking in the way locked things often were before night returned them to themselves.
For a few seconds, he did not move.
His body remembered before his mind arranged the words.
When he opens the room, I will start to disappear.
Then Elise's voice, smaller than he had ever heard it.
Raihan, I'm scared.
He sat up too quickly, and the room tilted. The diary slid from the mattress edge onto the floor with a soft slap. Several loose pages fanned out like pale, exhausted birds. Raihan reached for them at once, gathering them with more care than necessary, as though haste itself might damage her further.
The final folded page lay near his knee.
He unfolded it again.
The sentence had not changed.
The ink looked old and dry, pressed into the paper by a hand that had known exactly what it was writing. There were no crossed-out words, no hesitation marks, none of Elise's usual slanted urgency. Just one line, centered with terrible simplicity.
When he opens the room, I will start to disappear.
Raihan read it until the meaning stopped becoming sharper and began to blur.
Then he turned the page over.
Blank.
He checked the back cover, the inside pocket, the seam where the paper had been tucked. Nothing. No explanation. No instructions. No mercy.
The first irrational thought came easily: he should not have opened the room.
The second followed, worse: he had been warned.
Mrs. Tan had warned him in every way she knew how. The corridor auntie had warned him. Elise herself, in a diary written before and after the impossible, had warned him. But he had gone in anyway, with his careful hands and his hunger wrapped in good intentions. He had told himself that remembering Elise properly was an act of care. He still believed that. The belief did not absolve him.
He pressed both hands to his face.
The apartment around him held its silence.
From the kitchen, the fridge hummed. Somewhere outside, a pigeon landed on the corridor railing with a soft thud. Morning sounds. Living sounds. They seemed almost vulgar.
His phone buzzed.
Work.
He ignored it.
Another buzz.
Then a third.
The world, which had no idea that a woman in the room next door might be disappearing from time itself, continued requiring passwords, approvals, updates, deliverables. Raihan picked up the phone only to silence it and saw a message from Mrs. Tan instead.
Mrs. Tan: Are you awake?
A second message followed.
Mrs. Tan: Don't sit there staring at the wall. Come down.
Raihan stared at the phone.
Then, despite everything, a broken laugh left him.
She knew him too well for someone who had known him only days.
He typed: How do you know I'm staring at the wall?
Her reply came quickly.
Mrs. Tan: Because men think staring is action.
A minute later:
Mrs. Tan: Bring the diary. Not all pages. The last one.
Mrs. Tan's property office looked smaller in the late morning, as if the night had lent it gravity that daylight took back.
The clinic next door was busy. Plastic chairs spilled into the walkway, occupied by coughing uncles, tired mothers, children with damp hair and school bags still on their laps. Someone's phone played a drama too loudly. The smell of medicated oil drifted through the shared corridor, sharp and familiar. Ordinary illness, ordinary waiting.
Inside the office, Mrs. Tan had cleared the metal desk. That alone told Raihan she was unsettled. The receipts, envelopes, and stamped forms that usually occupied her mornings had been stacked into a precise tower against the wall. In their place were two cups of tea, a small plate of cream crackers, and an old biscuit tin.
Raihan placed the folded diary page on the table.
Mrs. Tan did not touch it immediately.
She looked at it the way one might look at a sealed medical report.
"You read again?" she asked.
"Yes."
"Changed?"
"No."
"Good."
"How is that good?"
"If words start changing in daylight, I resign from this life."
He almost smiled. He did not quite manage it.
Mrs. Tan opened the biscuit tin. Instead of biscuits, it contained keys, old photographs, rubber bands brittle with age, and several folded documents held together by rusted paperclips. She sorted through them slowly, then removed a thin stack of papers wrapped in a plastic sleeve.
"I found these after you left last night," she said.
"What are they?"
"Old tenant records. Not official enough for government. Official enough for rent."
She passed them over.
Raihan saw Elise's name almost immediately.
LIM YI LISE.
"Elise is not her full name?" he asked.
Mrs. Tan shook her head. "She said Elise was easier. Said Yi Lise made people ask too many questions. I told her people ask questions anyway if they like your face."
"Did she like that?"
"She rolled her eyes." Mrs. Tan's mouth softened. "So yes."
Raihan looked at the form. Tenant details. Emergency contact. Deposit amount. Lease start date. Occupation listed as service crew / singer in handwriting that was not Elise's. Under emergency contact, one name appeared.
Marcus Lim. Cousin.
A phone number followed, written in neat blue ink.
Raihan felt his attention sharpen.
"Marcus," he said.
Mrs. Tan nodded. "He came after."
"After she disappeared."
"After we were told she left."
He looked at her. "Do you still have his letter?"
Her face closed slightly. "No."
"Mrs. Tan."
"I don't." She held his gaze. "I kept many things. Not that. I wish I did."
Raihan looked back at the form, at Marcus Lim's name. "Did he smell like jasmine?"
Mrs. Tan's eyes narrowed.
"I don't remember."
"Try."
The sharpness in his own voice startled him, but he did not soften it quickly enough. Mrs. Tan heard it and leaned back.
"You sound like police now."
The rebuke landed because it was Elise's, too.
Raihan exhaled and rubbed his forehead. "Sorry."
Mrs. Tan lifted one eyebrow.
He corrected himself. "I'm afraid."
That made her expression change.
Fear, when named properly, left less room for anger to pretend it was useful.
Mrs. Tan looked down at the page with Elise's sentence. "So am I."
Neither of them spoke for a moment.
Outside the glass door, a boy in a school uniform pressed his face to the clinic window and made a fog patch with his breath. His mother pulled him back gently by the collar. The world remained insistently ordinary.
Mrs. Tan opened another folder. "I also asked around."
"You did?"
"You think only you can investigate? I have lived here longer than your laptop has been alive."
Despite himself, Raihan gave a small laugh.
Mrs. Tan seemed satisfied with that. "Old residents remember Marcus. Not well, but enough. He was older than Elise. Not very close family, people said. Came sometimes. Too polished. Always wearing perfume."
Raihan stilled.
"Jasmine?"
"One auntie said floral. Another said too sweet. Old noses are not evidence."
"But it fits."
"It fits if you are already building the shape."
He looked at her sharply, then looked away because she was right. He wanted Marcus to be the shape. A name, a body, a person who could carry blame. The alternative was unbearable: a final night blurred by time, no one accountable, Elise fading with no justice sharp enough to hold.
"What else?" he asked.
Mrs. Tan tapped one paper. "The cousin said she wrote a letter. He had her signature. I told you that. But I remembered something last night."
"What?"
"Elise signed her rent receipts as 'E. Lim' because she said her Chinese name made her signature look too serious. The letter was signed 'Yi Lise Lim.' Full name."
Raihan's pulse quickened. "So forged."
"Maybe."
"Likely."
"Likely is not proof."
"She didn't leave her shoes."
"No." Mrs. Tan's voice quieted. "She didn't."
Raihan picked up the tenant record again. Marcus Lim's phone number had too few digits by current standards. Or perhaps it had simply belonged to another decade. He took a photo anyway.
Mrs. Tan watched him. "What will you do?"
"Find him."
"If he is alive."
"If he is dead, find what he left behind."
"And then?"
The question irritated him because he had no answer beyond motion. "Then we'll know."
"Know what?"
"What happened."
Mrs. Tan leaned forward, folding her hands on the desk. "And if knowing makes her disappear faster?"
Raihan's jaw tightened.
The office seemed to shrink around him. "So we leave her afraid?"
"No."
"We leave her half-remembering a knock, a mirror, jasmine, and a song she can't finish?"
"No."
"Then what?"
Mrs. Tan's eyes were steady, but old pain moved beneath them. "We ask what she wants when she is calm enough to answer. Not what your anger wants when it is looking for a door to break."
The sentence hit like a slap because no hand accompanied it.
Raihan stood abruptly. The chair scraped back.
"I'm not angry for myself."
"Yes," Mrs. Tan said. "You are."
He stared at her.
She did not flinch.
"You are angry for her too," she continued. "That part is clean. But don't pretend all your fire belongs to Elise. Some of it has Nadia's name. Some of it has your own. Some of it is because you found someone who cannot leave properly, and now you think if you solve her, you can solve being left."
Raihan felt the words enter him and strike every hidden place on the way down.
For a moment, he could not speak.
Outside the office, the clinic door opened. A nurse called a patient's name. Someone coughed. A child laughed too loudly and was hushed. The sounds seemed to come from very far away.
Raihan looked at the folded page on the desk.
I will start to disappear.
His hands trembled slightly, and he curled them into fists to hide it.
"I can't lose her because I wanted answers," he said.
The confession came out rough.
Mrs. Tan's expression softened. "Then stop wanting answers more than you want her peace."
He lowered himself back into the chair.
For a while, they sat without speaking. Mrs. Tan pushed the plate of cream crackers toward him. He took one because refusal required pride, and he had misplaced most of his.
It tasted dry and faintly sweet.
"What should I do tonight?" he asked at last.
Mrs. Tan looked at the diary page. "Listen."
"That's all?"
"That's the hardest thing you keep failing at."
He accepted the hit silently.
After a while, she added, "And play the guitar. She liked music before she became a mystery."
Before she became a mystery.
Raihan held that line carefully all the way home.
At 11:11 that night, Elise returned without the song.
The wall warmed late, not at the exact minute but almost four minutes after, and even then the warmth came unevenly, flickering beneath Raihan's palm like a weak pulse. He sat on the bedroom floor with the guitar beside him and the diary closed near his knee. The final page had been tucked back inside but not hidden. There was no point pretending they did not know it existed.
"Elise?" he said.
For several seconds, there was only the faint electrical hum of the desk lamp.
Then her voice came through, thin and distant.
"Raihan."
Relief moved through him, followed immediately by fear at how weak she sounded.
"I'm here."
"I know."
"You remember last night?"
A pause.
"Some."
He closed his eyes briefly.
The answer was both mercy and warning.
"What do you remember?" he asked, then caught himself. "No. Sorry. You don't have to answer that."
A faint breath came from her side, almost amusement. "You swallowed the police voice halfway."
"I'm learning."
"Slowly."
"Specifically."
The warmth strengthened a little. The familiar echo of their small joke returned, but weakly, as if carried over water.
Elise said, "You found the page."
"Yes."
"I remember that."
"How do you feel?"
"Like the room is further away than usual."
Raihan's hand tightened on his knee. "Further from me?"
"From me."
The answer chilled him.
He waited, letting her find words.
"It's strange," she said. "Before, when midnight came, the room went far. Like I was being pulled away from everything. But now, sometimes, even before midnight, I look at my desk and it feels like I am remembering the idea of my desk instead of seeing it. The curtains are there, then not there. The bed is blue, then I cannot remember why blue matters. I know my own name, but it takes effort."
Raihan leaned his forehead against the wall.
"I'm sorry."
"Don't put that word everywhere."
His mouth twisted painfully. "You're the one disappearing. I think I'm allowed one or two."
"You are allowed one. Use it properly."
He breathed out, almost laughing, almost breaking.
"Elise."
"I'm still here."
"I know."
"No," she whispered. "Say it like you know."
He pressed his palm flat to the wall, feeling the faint warmth, the fragile proof of her. "You're still here."
A silence.
"Better," she said.
They stayed like that for a while, not speaking. The apartment seemed gentler with silence when she was inside it. Raihan had once believed silence meant absence. Now he understood there were silences that listened back.
"I spoke to Mrs. Tan," he said eventually. "She found old tenant records."
"About me?"
"Yes."
"Was I real on paper?"
The question hurt.
"Yes."
"Good."
Such a small word. Such a human need beneath it.
He did not tell her about Marcus immediately. He felt the name waiting in his mouth like a match near dry paper.
Elise sensed the hesitation. "There is something else."
"Yes."
"Is it bad?"
"I don't know."
"My favorite answer."
"Elise."
"Say it."
He closed his eyes.
"The emergency contact was your cousin. Marcus Lim."
The wall went cold.
Only for a second.
Then warmth returned, but different -- strained, uneven.
"Elise?"
"I know that name," she said.
"He came after you disappeared. Said you left because of family matters. Had a letter."
"No."
The word came immediately, with such quiet certainty that Raihan's skin tightened.
"No?"
"I didn't write any letter."
"Mrs. Tan suspected that."
"I wouldn't leave my keyboard."
The detail, of all things, nearly undid him.
No grand declaration. No protest of innocence. Just a keyboard with fading N and M keys. A life known by its objects.
"What do you remember about Marcus?" he asked carefully.
Elise was silent.
He waited.
When she spoke, her voice had changed. It was lower, flatter, as if she were reading from a place without light.
"He didn't like Daniel."
Raihan held still.
"Why?"
"Because Daniel saw him once."
"At the café?"
"Yes. Marcus came to fetch me, but I didn't ask him to. He said my mother was worried. My mother was always worried when he needed an excuse."
Raihan's fingers curled against the floor.
Elise continued slowly. "Daniel asked if I was okay. Marcus smiled. He was good at smiling when other people watched. Later he said I liked making men think they could rescue me."
Raihan had to force himself not to speak.
The room felt colder.
"I stopped telling Marcus my shifts after that," Elise said. "But he found out anyway."
"Was he the one at your door?"
Silence.
Then the desk lamp flickered.
"Elise?"
"There was jasmine."
Raihan's stomach tightened.
"He wore it?"
"My aunt gave him a bottle. Said it smelled expensive. I hated it. Too sweet. It entered rooms before he did."
The rain had not fallen that night, but Raihan heard water anyway -- not outside, but in the wall, a low distant pressure building too early.
"Elise, we can stop."
"No." Her voice sharpened. "No, I remember this."
"Careful."
"I remember being angry."
Her breathing quickened.
"I had the lyric page," she said. "I was going to the café. Daniel said he would come after his late shift. I told myself I would sing the song even if my hands shook. I put on the yellow cardigan, not because it matched anything, because if I looked bright maybe I would become brave."
Raihan's throat tightened.
A yellow cardigan hanging in the wardrobe, one sleeve turned inside out.
"Then the knock came."
The desk lamp flickered again, harder.
Raihan pressed his palm to the wall. It was cold now, except for a small patch beneath his hand.
"Elise, breathe."
"I opened the door because I thought it was Mrs. Tan."
He heard a sound from her side -- not happening now, perhaps, but remembered with such force that the wall carried it. A knock. A latch. A door chain sliding.
"He was wet," Elise whispered. "Marcus. Red umbrella. Wet shoes. He said we needed to talk."
The room seemed to contract.
"What happened?" Raihan asked, then immediately hated himself for it.
But Elise continued.
"I said I was late. He asked if I was late for that man. I told him to leave. He laughed. Not loudly. He never shouted first. He said family had done enough for me and I was embarrassing everyone singing for strangers, flirting for tips."
Her voice trembled now, anger and fear tangled.
"I told him he didn't get to talk about family when he only came around to control things. He saw the lyric page. Asked if it was for Daniel. I said it was mine."
A pause.
The wall hummed.
"He took it."
Raihan felt his own anger rise, clean and violent. He gripped his knee until it hurt.
"I tried to take it back," Elise said. "He held it up like a joke. I grabbed his wrist. He pushed me."
The desk lamp went out.
Darkness struck the room.
Raihan froze.
"Elise."
In the dark, her voice came closer and further at once.
"I hit the mirror."
A sharp crack sounded through the wall.
Not in Raihan's room.
From 11B.
The sound of glass remembering how it broke.
Raihan's pulse roared.
"Elise, stop. You don't have to keep going."
"I fell."
Her voice had gone frighteningly calm.
"I remember the floor being cold. I remember thinking the room looked strange from down there. The curtains were ugly even sideways."
"Elise."
"My head hurt. Marcus said my name. Not Elise. Yi Lise. Like scolding a child."
The water sound deepened. The wall vibrated beneath Raihan's hand.
"He stood there for a long time," she whispered. "I wanted to tell him to call someone. I think my mouth moved, but no sound came. He kept saying, 'Don't be dramatic.' Then he realized."
The room went very still.
Raihan sat in darkness with one hand against the wall and felt hatred arrive so quickly it frightened him.
"He left?" he asked.
"I don't know."
"Elise."
"I don't remember after that. I remember the smell. Jasmine and rain. I remember the lyric page near the bed. I remember wanting my song back."
Her voice broke on the last word.
Raihan closed his eyes.
The final night had arrived not as a puzzle solved, but as a person lying on the floor beneath ugly yellow curtains, trying to move, trying to keep hold of a song while someone decided whether her life was inconvenient.
He wanted to stand. To go next door. To break something. To tear the old building open until it gave back every hidden answer. He wanted Marcus Lim found, named, punished, even if time had turned him into an old man or a grave. He wanted the world to become fair retroactively, which was the most useless want of all.
The lamp flickered back on.
Elise was crying.
Not loudly. He heard it in the effort not to.
"Elise," he said, voice rough. "I'm here."
"I know."
"You're still here."
"I know."
But she sounded less certain now.
The midnight hum grew louder, though the clock read only 11:43.
Raihan stared at the time with rising panic.
"Elise, listen to me. Stay with my voice."
"I'm tired."
"No." The word came out too sharply. He softened it with effort. "Not yet. Please."
"Raihan."
"I can find him. Marcus. I can find records. We can tell someone. Mrs. Tan has documents. Your diary. The room. We can--"
"Stop."
The word cut through him.
He fell silent.
Elise drew a shaky breath. "You're doing it again."
His mouth closed.
"You're running toward anger because grief is slower."
The accuracy of it took the strength from his body.
He leaned back against the wall, eyes burning.
"He left you there," he whispered.
"I know."
"He covered it up."
"Maybe."
"There has to be justice."
Elise was quiet for so long that the hum seemed to fill the entire apartment.
When she spoke again, her voice was almost gentle. "Justice will not teach me how to stay."
Raihan closed his eyes.
The sentence landed like the diary's final page: quietly, irreversibly.
He thought of Nadia again, but not with the old bitterness. He thought of all the nights he had wanted an apology large enough to reverse loss, an explanation with enough detail to rebuild what had ended. He thought of the terrible human instinct to mistake understanding for rescue.
"Elise," he said, "what do you want?"
The question changed the room.
Perhaps because it was the first time he had asked without trying to direct the answer.
The hum lowered. Not gone, but waiting.
Elise breathed.
"I want to be remembered without being trapped."
Raihan pressed his palm to the wall.
"I want Auntie Tan to stop carrying me like punishment."
His throat tightened.
"I want Daniel to know I tried, even if he is gone now or old or forgot my face."
"Elise…"
"And I want my song finished."
The last want came out clearest.
Raihan looked at the guitar beside him.
The strings glinted in the lamplight.
"Not because it will save me," she said. "I don't think that's what this is."
He could not answer.
"I think the room kept the unfinished things," Elise continued. "My song. Auntie's guilt. Your sadness. Maybe it folded them together because unfinished things recognize each other."
The wall warmed slightly beneath his hand.
"If the song finishes, maybe I go."
"No."
"Raihan."
"No." The word tore out of him, raw and childish. He did not care. "You don't know that."
"I don't."
"Then don't say it like that."
"I'm saying it because you're thinking it."
He looked away, jaw clenched.
The apartment blurred.
Elise's voice softened. "You told me once that for now is still something."
"I hate when you use my wisdom against me."
"Specific."
He laughed once, and it broke into something close to a sob.
"Elise, I just found you."
The wall held his confession in a silence full of ache.
Then she whispered, "I know."
No promise followed.
That was the kindness and the cruelty of it.
At 11:50, Raihan picked up the guitar.
His hands shook. He hated that she might hear it in the strings, hated that music made tremors audible. He set his fingers into the chord they had found together. E minor, altered by one suspended note. Not sad enough, she had said. Then sadder. Then yes.
He played softly.
Elise hummed, but her voice wavered.
"No," she said after a few bars. "Lower."
He adjusted.
"Again."
He played.
"Hold there."
He held the chord, letting it ring until the sound thinned into the room.
Elise sang the line:
"If I am too late, let the song arrive first."
Her voice cracked on late.
Raihan kept playing.
"Next," he said softly.
"I don't have it."
"We'll find it."
"I don't have time tonight."
The hum grew louder, impatient.
He looked at the clock.
11:53.
"Then tell me what it should feel like."
Elise was quiet.
"Not confession," she said at last. "I thought it was confession, but it isn't. Or not only. It's… if someone hears this after I'm gone, I don't want them to think I only wanted to be loved back. I wanted to arrive. To exist in the room fully. Does that make sense?"
"Yes."
"Liar."
"Maybe not fully."
A faint laugh. "Better."
He played the progression again, slower.
"What about this?" he asked.
He sang under his breath, awkwardly, not lyrics so much as shape.
"If I am too late…"
"No."
"Brutal."
"You sound like a man apologizing to a printer."
Despite everything, he laughed.
That small laugh steadied his hands.
He tried again, this time not forcing words, only letting the chord move where her first line wanted to go. A second line came to him, not perfect, not final, but close enough to offer.
"If I am too late, let the song arrive first…"
He paused, then sang softly:
"Let it touch the door I could not cross."
Silence.
"Elise?"
Again, the wall stayed quiet.
Then she whispered, "That one."
The warmth beneath his shoulder flared.
He wrote it down quickly on the lyric page, his handwriting clumsy beside hers.
Let it touch the door I could not cross.
The sight of their handwriting together on the same paper did something strange to him. It made the impossible briefly domestic.
At 11:56, Elise's voice thinned.
"Raihan."
"I'm here."
"Tomorrow I might not remember Marcus."
"That's okay."
"No. Listen." Her voice sharpened with effort. "I might not remember you found out. I might not remember the page. I might only remember the song. If that happens, don't force the rest back."
His fingers tightened around the pen.
"Okay."
"Promise."
He closed his eyes.
"I promise."
"And if I ask why you're sad again…"
He exhaled shakily. "I'll say it badly."
"Good."
The hum deepened, filling the wall, the floor, the space behind his teeth.
"Elise."
"Yes?"
He wanted to say too many things. That he was angry. That he was sorry. That Marcus could rot. That Daniel had loved her, surely, because how could anyone listen to her sing and not carry something away? That Mrs. Tan remembered the soup. That he would not eat standing. That the room smelled like paper and curtains and her, and he would protect it. That he had not expected tenderness to arrive through a wall and undo him more gently than heartbreak had.
Instead, he said the only thing that did not ask her to carry his fear.
"Your song is good."
For a moment, there was no answer.
Then Elise said, "My song has one and a half lines."
"Strong foundation."
"You are a terrible critic."
"I'm a systems analyst."
"That explains much."
The familiar exchange returned like a hand finding his in the dark.
Then her voice softened.
"Thank you," she whispered.
The clock changed to midnight.
This time, the connection did not cut cleanly.
It frayed.
Her voice stretched, thinned, became woven with the low water-hum until he could not tell whether she was speaking or the room was remembering the shape of her.
"Raihan."
"I'm here."
"Tomorrow…"
"I'll be here."
"Don't wait like punishment."
He swallowed hard.
"How should I wait?"
The answer came so faintly he almost missed it.
"Like music."
Then she was gone.
The wall went cold by degrees instead of all at once.
Raihan sat with the guitar in his lap, the lyric page open before him, and the room around him still vibrating from the chord he had not realized he was holding.
For several minutes, he did not move.
Then he picked up the pen.
Beneath Elise's line and his, he wrote the date.
Not because the date made sense anymore.
Because proof, even fragile proof, mattered.
The next day, Raihan searched for Marcus Lim.
He told himself he was not doing it for anger. That was not entirely true. He also told himself he was not doing it against Elise's wishes. That was closer to true, but not clean enough to be comfortable. Elise had not said do nothing. She had said justice would not teach her how to stay. There was a difference, though he was wary of how easily people found permission in the spaces between words.
He began with the number on the tenant form. Disconnected, as expected. Then old directories. Archived company records. Social media profiles. Obituaries. He cross-referenced age, surname, likely family ties, the neighborhood Elise had lived in, old school alumni pages, property transaction listings. The work was tedious, ugly, and absorbing.
By late afternoon, he found a Marcus Lim who fit too well.
A former sales manager. Mid-fifties now. Linked to an old family address matching Elise's emergency contact record. No recent public posts. One business registration dissolved six years ago. One court mention for bankruptcy proceedings. No criminal record that surfaced easily.
A photograph appeared in an archived company newsletter.
Raihan stared at it.
The man in the picture stood at a corporate dinner, one arm around another colleague, smiling with bright, practiced ease. His face was broader now than it would have been in Elise's memory, but the posture matched what she had said: polished, aware of being watched, good at arranging himself into acceptability.
On his wrist was a watch.
His hands looked manicured.
Not kind.
Raihan closed the laptop harder than necessary.
The sound echoed through the apartment.
He stood and paced from kitchen to bedroom, then back again. Rage moved in him with nowhere to go. Marcus was not in the room. The past was not a door he could kick down. Elise had not been saved by remembering. If anything, she had come back weaker. The injustice of it filled his body until he wanted to be cruel to something breakable.
His phone buzzed.
Nadia.
For one second, he thought he had imagined it, summoned by anger's need for a familiar target. But her name was there on the screen, clean and real.
Nadia: Hey. I know this is random, but I found some of your guitar picks in my drawer while packing. Do you want them back? I can mail them or pass to your cousin.
Raihan stared at the message.
There was nothing wrong with it.
That was the problem.
It was considerate. Practical. Kind in a way that did not ask for intimacy but acknowledged history. Once, this would have cracked him open. He would have read between the lines until his eyes bled hope. She thought of me. She still has my things. She said guitar. He would have answered too quickly, then regretted the tone, then waited for her reply like a verdict.
Now he felt pain, yes.
But around it, something else.
Space.
He picked up the phone and typed slowly.
You can keep them or throw them. I bought new ones. Hope packing goes okay.
He read it twice.
It was not cold. Not longing. Not a performance of peace. It was simply an answer.
He pressed send before he could turn it into a speech.
Then he placed the phone face-down on the table.
The apartment did not applaud his growth. The wound did not close. Nadia did not vanish from his history in a puff of mature acceptance. But the room felt different. A small thing had loosened.
At 8 p.m., Mrs. Tan came by.
He opened the door before she knocked twice.
She looked suspicious. "You were waiting?"
"I recognized your angry footsteps."
"My footsteps are efficient."
"Efficiently angry."
She handed him a plastic bag. "Dinner."
He looked inside. Rice, stir-fried vegetables, fish with ginger. "You can't keep feeding me."
"I can stop when you stop looking like someone who forgets rice exists."
"I ate porridge yesterday."
"Because I bullied you."
He stepped aside. She entered and glanced immediately at the wall. Then the guitar. Then the lyric page on the desk.
"Did she come?"
"Yes."
Mrs. Tan's shoulders lowered a fraction.
"She remembered more," Raihan said.
Mrs. Tan's face sharpened. "Bad?"
"Yes."
He told her about Marcus. Not every detail. Some belonged to Elise. But enough: the knock, the red umbrella, the jasmine, the push, the mirror. Mrs. Tan stood very still while he spoke, her plastic bag rustling softly in her hand.
When he finished, she sat down slowly at the kitchen table.
"I should have known," she said.
"No."
Her eyes lifted.
Raihan pulled out the chair across from her. "You can regret what you did after. But don't rewrite yourself into the room that night. That guilt is too easy and too useless."
Mrs. Tan stared at him as if he had struck her and offered tea in the same motion.
"Elise said she wants you to stop carrying her like punishment," he added.
The words reached where his own could not.
Mrs. Tan looked away, lips pressed tight.
For a moment, she was silent.
Then she said, very quietly, "That girl always dared to scold without standing in front of you."
"She's talented."
Mrs. Tan gave a laugh that broke into a breath. She wiped at one eye quickly, offended by its disobedience.
Raihan pretended not to notice.
They ate at the kitchen table because Elise had told him not to eat standing. Mrs. Tan made no comment about the second chair having been pulled back into use, though Raihan saw her notice. The meal was quiet, but not uncomfortable. The old building moved around them. A door closed somewhere. Water ran through pipes. The lift stopped at the fourth floor for no one and groaned its way upward again.
"The lift remembers," Raihan said.
Mrs. Tan looked at him. "What?"
"Nothing."
She narrowed her eyes but let it pass.
Before leaving, she stood by the bedroom doorway and looked at the wall.
"Tell her," she said, "I don't know how to stop. But I will try."
Raihan nodded.
After Mrs. Tan left, he washed the dishes immediately. Not later. Not tomorrow. He washed them while the water was still warm and placed them on the rack beside the blue fish mug. Then he sat with the guitar and practiced the two lines until his fingers stopped shaking.
At 11:11, the wall warmed.
Barely.
"Elise?"
A long silence.
Then, faintly: "Who's there?"
The question entered him like a blade so thin he felt the cut only after it had gone deep.
Raihan closed his eyes.
He had promised.
He would not force her to be brave too quickly.
"It's Raihan," he said gently. "From 11A."
Another pause.
"The guitar man?"
His throat tightened.
"Yes."
"Oh."
The warmth trembled.
"Did I forget something important?" she asked.
He looked at the diary. The lyric page. The wall. The life that had become, impossibly, a series of nights he both dreaded and needed.
"Yes," he said softly. "But not all of it has to come back tonight."
Elise was quiet.
Then she whispered, "That sounds like something I told you to say."
"It was."
"Good. I'm wise."
He laughed, and it hurt.
"Yes," he said. "Very."
"Do we have a song?"
Raihan picked up the guitar.
"We have one and a half lines."
"Strong foundation?"
He froze.
The phrase. Their phrase from last night.
"You remember that?"
"No," Elise said after a pause. "But it feels like the right joke."
The ache in his chest became almost unbearable.
He played the chord.
Elise hummed.
Her voice was weaker than before, but when the melody found the first line, it steadied. Not fully. Enough.
Raihan joined her softly, not singing over her, only beneath her.
"If I am too late, let the song arrive first…"
The wall warmed.
"Let it touch the door I could not cross…"
Elise stopped.
"That line," she whispered.
"Yes?"
"Did I write it?"
Raihan looked at the page, where his handwriting sat beneath hers.
"We did."
On the other side of the wall, Elise breathed in slowly.
Then she said, with quiet wonder, "Then I'm still making things."
Raihan bowed his head.
"Yes," he said. "You are."
And for that night, it was enough.
Not safe.
Not solved.
Enough.
At midnight, when the hum came and took her by degrees, Raihan kept playing until the wall went cold. Even after she was gone, he played the two lines again, and again, and again, not like punishment this time.
Like music.